Chamber Fusion is the natural convergence of my two life paths: classical training at Juilliard and scientific exploration at MIT. From Juilliard I carry the precision, intimacy, and lineage of chamber music, where small groups and intricate voices create an art of one instrument per part. From MIT I bring the spirit of fusion—of blending systems, experimenting with forces, and innovating with signals. When I studied at Juilliard, I learned to think in the language of chamber interplay; when I studied physics at MIT, I learned to think in systems, to see how elements combine and evolve. Chamber Fusion is the music I was destined to create—it is my way of weaving those two worlds together, creating an art form that feels as natural to me as breathing. It is not a style I borrowed; it is a genre I created. Chamber Fusion combines the rigor of Juilliard’s chamber tradition with the innovative mindset forged at MIT. It is music where intimacy meets experimentation, where improvisation and structure coexist, and where centuries of classical practice are propelled into new forms of sound. Chamber Fusion is my contribution to what music can become.